As for the charge that we "shallowly overturn the ancient prohibition on venerating images," this has been thoroughly refuted over eleven centuries ago by St. John of Damascus in his On the Divine Images. [35] The famous Orthodox iconographer, Leonid Ouspensky, summarizes the Church's reasoning concerning the Old Testament prohibition of images. This reasoning is thoroughly Biblical and logical:
The Church teaches that the image is based on the Incarnation of the second person of the Trinity. This is not a break with nor even a contradiction of the Old Testament, as the Protestants understand it; but, on the contrary, it clearly fulfills it, for the existence of the image in the New Testament is implied by its prohibition in the Old. Even though this may appear to be strange, the sacred image for the Church proceeds precisely from the absence of the image in the Old Testament. The forerunner of the Christian image is not the pagan idol, as is sometimes thought, but the absence of direct iconography before the Incarnation, just as the forerunner of the Church is not the pagan world, but the Israel of old, the people chosen by God to witness His revelation. The prohibition of the image which appears in Exodus (20:4) and in Deuteronomy (5:12-19) is a provisional, pedagogic measure which concerns only the Old Testament, and is not a prohibition in theory. "'Moreover I gave them statutes that were not good' (Ez. 20:25) because of their callousness," says St John of Damascus, explaining this prohibition" by means of a biblical quotation. Indeed, the prohibition of all direct and concrete images was accompanied by the divine commandment to establish certain symbolic images, those prefigurations which were the tabernacle and everything which it contained, and the smallest details of which were, so to speak, dictated by God. [36]
Jones fails to address the fact that God commanded the use of images in the Temple. Perhaps this is because he cannot explain how these images could be permissible in the light of the Old Testament prohibitions. Douglas Wilson adds to this error in his article expanding upon Jones' introductory remarks. Wilson asserts: "We know that the Jewish Temple had no images for use in prayer and worship." Have they not read the Old Testament descriptions of the Tabernacle and the Temple? We find numerous images of Cherubim in the following places:
On the Ark—Ex. 25:18
On the Curtains of the Tabernacle—Ex. 26:1
On the Veil of the Holy of Holies—Ex. 26:31
Two huge Cherubim in the Sanctuary — I Kings 6:23
On the Walls — I Kings 6:29
On the Doors — I Kings 6:32
And on the furnishings — I Kings 7:29,36
Are the editors of Credenda/Agenda therefore asserting that the Temple itself was not used as a place of worship? Also, as we shall see, Wilson fails to deal with the actual historical data in anything beyond the most superficial ways.
Returning to Ouspensky's summary, he states that the eighth-century iconoclasts
limited themselves to the biblical prohibition and confused the Christian image with the idol. Comparing the Old Testament texts and the Gospel, St John shows that the Christian image, far from contradicting the prohibition of the Old Testament, is, as we have said, its result and conclusion, since it arises from the very essence of Christianity.
His reasoning can be summarized as follows: in the Old Testament God manifests Himself directly to His people only by sound, by word. He does not show Himself, and remains invisible. Israel does not see any image. In Deuteronomy (4:12), we read: "The Lord spoke to you out of the midst of the fire; you heard the sound of words, but saw no form; there was only a voice." And a bit further (4:15), we read: "Therefore take good heed to yourselves. Since you saw no form on the day that the Lord spoke to you at Horeb out of the midst of the fire." The prohibition comes immediately afterwards (4:16-19)....
Thus when God speaks of creatures, He forbids their representation. But when He speaks of Himself, He also forbids the making of His image, stressing the fact that He is invisible. Neither the people, nor even Moses saw any image of Him. They only heard His words. Not having seen God's image, they could not represent it; they could only write down His divine word, which is what Moses did. And how could they represent that which is incorporeal and indescribable, that which has neither shape nor limit? But in the very insistence of the biblical texts to emphasize that Israel hears the word but does not see the image, St John of Damascus discovers a mysterious sign of the future possibility of seeing and representing God coming in the flesh. "What is mysteriously indicated in these passages of Scripture?, he asks.
"It is clearly a prohibition against representing the invisible God. But when you see Him who has no body become man for you, then you will make representations of His human aspect. When the Invisible, having clothed Himself in the flesh, becomes visible, then represent the likeness of Him who has appeared... When He who, having been the consubstantial Image of the Father, emptied Himself by taking the form of a servant [Phil 2:6-7], thus becoming bound in quantity and quality, having taken on the carnal image, then paint and make visible to everyone Him who desired to become visible. Paint His birth from the Virgin, His baptism in the Jordan, His transfiguration on Mount Tabor... Paint everything with words and with colors, in books and on boards."
Thus the very prohibition against representing the invisible God implies the necessity of representing God once the prophecies have been fulfilled. The words of the Lord, "You have seen no images; hence do not create any," mean "create no images of God as long as you have not seen Him." An image of an invisible God is impossible, "for how can that which is inaccessible to the eye be represented?" If such an image were made, it would be based on imagination and would therefore be a falsehood and a lie. [37]
In another section describing the response of St. Theodore the Studite, Ouspensky states:
The iconoclasts also said that nothing in the New Testament indicates that icons should be made or venerated. "The custom of making icons of Christ has no foundation either in the tradition of Christ, or in that of the apostles or the Fathers," they maintained. "But, St Theodore the Studite replied, "nowhere did Christ order any word to be put down; and yet His image has been traced by the apostles and been preserved up to now. What is written down on paper and with ink, is put on the icon through various colors or another material." [38]
How interesting! Jones and company take Orthodoxy to task for painting and venerating images when the New Testament does not explicitly state that we are allowed to do so, and yet they fail to see the beam in their own eye: that our Lord never commanded anyone to write down what he said or did. So much for the Bible in the light of the "Regulative Principle." Are not words a type of image? Do they not metaphorically "paint" something? Absolutely. Speaking of the decrees of the Seventh Œcumenical Synod, Ouspensky writes:
The council states that Holy Scripture and the holy image are "mutually revelatory." One single content is witnessed in two different ways—with words or with images—conveying the same revelation in the light of the same sacred and living Tradition of the Church. We read in the council's canons:
"The Fathers neither transmitted to us that it was necessary to read the Gospel nor did they convey to us that it was necessary to make icons. But if they conveyed the one, they also conveyed the other, because a representation is inseparable from the biblical account, and, vice versa, the biblical account is inseparable from a representation. Both are right and worthy of veneration because they explain one another and, indisputably, substantiate one another."
Thus, the visible image is equivalent to the verbal image. Just as the word of Scripture is an image, so is the painted image a word. "That which the word communicates by sound, a painting demonstrates silently by representation," the Fathers of the council said, referring to St Basil the Great. Elsewhere they write, "By means of these two ways which complement one another, that is, by reading and by the visible image, we gain knowledge of the same thing." In other words, the icon contains and proclaims the same truth as the Gospel. Like the Gospel and the Cross, it is one of the aspects of divine revelation and of our communion with God, a form in which the union of divine and human activity, synergy, is accomplished. Aside from their direct meaning, the sacred image as well as the Gospel are reflections of the heavenly world; the one and the other are symbols of the Spirit they contain. Thus, both the one and other transmit concrete, specific realities, not human ideas. In other words, what was asked was "How can the icon correspond to the Gospel and explain it, and vice versa?"
In the eyes of the Church, therefore, the icon is not art illustrating Holy Scripture; it is a language that corresponds to it and is equivalent to it, corresponding not to the letter of Scripture or to the book itself as an object, but to the evangelical kerygma, that is, to the content of the Scripture itself, to its meaning, as is true also for liturgical texts. This is why the icon plays the same role as Scripture does in the Church; it has the same liturgical, dogmatic, and educational meaning. [39]
It is beyond the scope of this paper to fully address the Orthodox response to iconoclasm. We can only summarize the Church's reasoning and remind the reader that this question was resolved to the satisfaction of the entire Church—East and West—more than a thousand years ago. The Orthodox teaching on Icons is readily available in English. We find it highly unlikely that Jones could have overlooked these works. Yet he fails even to acknowledge that the Orthodox explanation of why the Old Testament prohibitions no longer apply is not only firmly grounded in Scripture and the doctrine of the Incarnation, but that it is also eminently reasonable. Had he acknowledged this and simply stated that he personally disagreed with what the entire Church heartily affirmed in the Seventh Œcumenical Synod over a thousand years ago, we would have no argument with him. However, Jones and company seem only to want to rehash iconoclasm using antiquarian arguments that have already been soundly refuted. They fail to see that certain Old Testament prohibitions were temporary. The Incarnation brought many things to fulfillment. As the Holy Fathers reasoned and the Church affirmed, to be an iconoclast is to be against the Incarnation. Credenda/Agenda clearly stands outside of the Christian tradition on this matter.